Lucas Samaras (44.6 × 29.2 cm). Los Angeles, Dwan Gallery, Lucas Samaras: Boxes, November 1964 - January 1965 New York, Museum of Modern Art; Los Angeles, Los Angeles County Museum of Art; Chicago, Art Institute of Chicago, Dada, Surrealism and their Heritage, March - December 1968, cat. 1981 Find this Pin and more on art classby Valentina. More information is also available about the film collection and the Circulating Film and Video Library. Painted plywood, DimensionsOverall: 41 7/8 × 36 × 12 7/8in. Lucas Samaras's favorite subject is himself -- but as the Whitney's huge retrospective reveals, he sees things you might not expect in a narcissist. Summer of Love: Art of the Psychedelic Era, Highlights from the Permanent Collection: From Pollock to Today, A 30-second online art project: Triple Disc Bronze - Mia Westerlund Roosen. The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. Lucas Samaras’s Room No.2 (1966), more often referred to as the Mirrored Room, built upon the earlier interactive art of Marcel Duchamp (Hopkins 2014). Lucas Samaras is a Greek-born American artist known for his mixed-media approach towards identity and image. Horizontal format, measuring 11" x 6" with approximately 76 pages. Available for sale from Pace Gallery, Lucas Samaras, Untitled #12 (June 20-1973), Acrylic on canvas, 30 × 24 3/4 in The West - Donald Lipski "Unrepentant Ego: The Self-Portraits of Lucas Samaras," November 20, 2003–February 15, 2004. 289 Chicago, Museum of Contemporary Art, Lucas Samaras Boxes, October - December 1971, p. 6, illustrated Whitney Museum of American Art, New York; purchase, … That project has concluded, and works are now being identified by MoMA staff. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. moma.org • 9d. Samaras … Samaras’s installation measures eight feet by ten feet; the entire space mirrored with panels, inside and out. For licensing motion picture film footage it is advised to apply directly to the copyright holders. Dallaleve - Nancy Graves. All photographs: Lucas Samaras. They function instead as poetic surrogates for an absent body, imaginatively—and often humorously—asserting their presence as works of art. This work belongs to a series of twenty-five Chair Transformations (seven of which are owned by the Whitney) that Lucas Samaras created in 1969-1970. Please, The Judith Rothschild Foundation Contemporary Drawings Collection Gift. This record is a work in progress. Pace Gallery, New York Acquired from the above by the late owners, 1982. Our site uses technology that is not supported by your browser, so it may not work correctly. (44.8 x 28.9 cm.) In a Quiet Place - Maren Hassinger. Samara’s knowledge of sculpture, painting, and performance art informed his iconic series of Polaroids from the 1970s, Photo-Transformation (1973-1976). Head #12. Judith H. Dobrzynski on the subjects of his new show featuring the likes of Evelyn de Rothschild, Cindy Sherman, and Leonard Lauder. "Invention and Continuity in Contemporary Photographs," June 13, 1989–October 8, 1989. no. Lucas Samaras. 1981. Seed (Egg Man) - Joel Fisher. Head - Tom Otterness. (73.7 x 54.6 cm) Chronology Past Exhibitions 1936 Lucas Samaras is born on September 14 in Kastoria, Greece. The “transformation” of Chair No. He earned an art degree from Rutgers and later studied at Columbia. Provenance. "Lucas Samaras Photo-Transformations," November 17, 1975–December 14, 1975. Lucas Samaras/PaceWildenstein, New York In 1964, for a show at the Green Gallery in Manhattan, he presented a perfect replica of his bedroom in his parents’ New Jersey apartment. Triple Disc Bronze - Mia Westerlund Roosen. ?s an elusive legend: a loner, eccentric, master of unusual media, and visionary who has avoided classification. Lucas Samaras (born September 14, 1936) is a Greek-American artist. By visiting our website or transacting with us, you agree to this. Samaras has remarked that his Chairs and other Transformation series negate “the possibility of a single Platonic ideal acting as a measure for any physical thing.” Indeed, these chairs defy their intended purpose; most of them are not structurally sound and cannot be sat in. Head #12. According to Lucas Samaras, that is. FREE Shipping. Valid today:11/03/2021. Lucas Samaras : Lucas Samaras (b. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. 12 - Lucas Samaras. Lucas Samaras (Λουκάς Σαμαράς) was born on September 14, 1936 in Kastoria, Western Macedonia Greece, and immigrated to the United States in his youth. Available for sale from Michael Rosenfeld Gallery, Lucas Samaras, Head #183 (1981), Pastel on black paper, 17 5/8 × 11 5/8 in Credit lineWhitney Museum of American Art, New York; purchase, with funds from the Howard and Jean Lipman Foundation, Inc. Rights and reproductions He studied at Rutgers University on a scholarship, where he … Brought to you by A catalog that accompanied an exhibit of artwork by Lucas Samaras, from the years 2010-2012, shown at Pace Gallery in New York City from September 26 to October 27, 2012. Lucas Samaras, Phyllis Kind Gallery, Chicago, October 30–December 12, 1971. Acadian Gyro - Ed Shay. See details. However, that temporary chemical oversight opened a world of possibilities for the New York artist Lucas Samaras, whose AutoPolaroids from the late Sixties and early Seventies are on show at the Craig F Starr gallery in Manhattan this summer, until 12 August. LaTurbo Avedon, Morning Mirror / Evening Mirror. Lucas Samaras. © artist or artist’s estate. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Lucas Samaras: Boxes, Museum of Contemporary Art, Chicago, October 30–December 12, 1971. 1936) Head #176 numbered and dated '7.23.81 176' (on the reverse) pastel on paper 17 5/8 x 11 3/8 in. Lucas Samaras Title Lucas Samaras Head Origin United States Date 1960–1969 Medium Pen and black ink on ivory wove paper Dimensions 279 × 216 mm Credit Line Margaret Fisher Endowment Reference Number 2004.252 Extended information about this artwork. Thilo Frank (2012) looks like Samaras except the participant is in a swing. Head Attached is one of many self-portrait collages made by Lucas Samaras that reveals his original style and the essence of his experiments in the field of photography and visual art. Acadian Gyro - Ed Shay. Dallaleve - Nancy Graves. Those who enter occupy a dizzying space. 20% off on all cart items, sitewide! Browse upcoming auctions and create alerts for artworks you are interested in. Samaras was born in Kastoria, Greece. Samara’s knowledge of sculpture, painting, and performance art informed his iconic series of Polaroids from the 1970s, Photo-Transformation (1973-1976). Object information is a work in progress and may be updated as new research findings emerge. The Judith Rothschild Foundation Contemporary Drawings Collection Gift. Lucas Samaras: AutoPolaroids 1969-71 is at Craig F Starr Gallery, New York, until 12 August. We use our own and third-party cookies to personalize your experience and the promotions you see. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Lucas Samaras (illustrator). Lucas Samaras is not the best-known artist in America, but among the cognoscenti he is considered a wizard, and among artists heâ? If you notice an error, please contact us at [email protected]. Drawn in 1981. Stiff Box No. Lucas Samaras (Greek, born 1936) Corridor, 1967 (Maquette) 19 x 19 x 19 cm. Sold for £ 6,250 (CA$ 10,828) inc. premium The Greek Sale. Facebook Twitter Pinterest. Lucas Samaras. Sculpture, Medium Lucas Samaras Head #166, 1981 Pastel on paper 44.5 x 29.2 cm Pace Gallery Lucas Samaras Photo-Transformation , 1973 Internal dye diffusion transfer print (Polaroid SX – 70) In fact, his Head Attached is the self-portrait, which could be otherwise routine, unless Lucas Samaras used his favorite photo collage style. Lucas Samaras (1966) has a mirror covered table and chair in the center. Yayoi Kusama ( 1965, 1966, 1991, 2011, 2013) has made many versions of the mirror with spotted sculptures or sparkling lights. Head - Tom Otterness. For access to motion picture film stills please contact the Film Study Center. One corner functions as a concealed door to admit ambulant viewers. FREE Returns All the time. Pastel on paper, sheet: 17 9/16 × 11 1/2in. To identify. This work belongs to a series of twenty-five Chair Transformations (seven of which are owned by the Whitney) that Lucas Samaras created in 1969-1970. We have identified these works in the following photos from our exhibition history. The Metropolitan Museum of Art. Pastel on black paper. AND SO WE’RE DONE with that weird year of distortions, when everything got stuck, and yet everything moved so quickly.To understand how the suspension of one set of forces might stimulate another, you have only to visit the sky-scraping studio of Lucas Samaras, the eighty-four-year-old self-described “urban hermit” and legendary artist-transformer. (Catalogue) Lucas Samaras: Part II: Stiff Boxes, The Pace Gallery, 32 East 57th Street, New York, October 16–November 2, 1971. Lucas Samaras, Head #118, 1981. Whitney Museum of American Art. 12 into a swirling structure covered with stippled, vibrantly-hued brushwork evokes an array of earlier modernist movements—from Pointillism and Fauvism to the biomorphic abstraction of Surrealist and Abstract Expressionist painting. Below are three artists with mirror rooms. 1936) is an American photographer known for his artistic distortions and mutilations of his self-image to create "Photo-Transformations". View artworks for sale by Samaras, Lucas Lucas Samaras (270, American). January 23, 1986 | MoMA. By visiting our website or transacting with us, you agree to this. (106.4 × 91.4 × 32.7 cm). Lucas Samaras (b. (30.5 x 22.8 cm) Head #28, 1983 Ink wash on paper (decoupage) 29 x 21 1/2 in. In a Quiet Place - Maren Hassinger. 12 - Lucas Samaras. The West - Donald Lipski Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. Classification Having previously “transformed” other utilitarian conveniences such as eyeglasses, knives, and scissors, Samaras altered his chairs with a perverse, witty assortment of materials including plastic flowers, lengths of colored yarn, wool, tin foil, and plastic wire. If you have additional information or spotted an error, please send feedback to [email protected]. If you would like to reproduce text from a MoMA publication, please email [email protected]. 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